Kansas State Historical Society

synopsis filmmaker's viewpoint funders

Synopsis

Color, 15 minutes, 16mm
English
Student thesis film, Harvard University, 1992

"Just before dropping us off at the orphanage, my mother took my brothers and me to see Howe Caverns in upstate New York, " says Alice Bullis Ayler, 72. She remembers the joyful boat ride up the Hudson River in stark contrast to the ensuing trauma, when her mother abandoned Alice in one orphanage, and her younger twin brothers in a separate orphanage. "The twins were literally torn out of my arms, kicking and screaming and yelling 'Too-Too, don't go away!'"

Alice's brothers Leslie and Wesley Bullis eventually were sent on an train with a group of other orphans to Kansas, where they were adopted by a farm family who needed help with chores. It was harder to place Alice, by then a feisty nine-year-old. She was sent on an orphan train to Kansas in 1929, moving from home to home but never getting adopted. It took years for Alice to find her brothers again.

While seemingly a quirky story of hardship and pluck, the Bullis's life was not the only one to follow this path. More than 200,000 orphans from New York City and Boston were sent by train to find homes in the Midwest. The program was organized primarily by the Children's Aid Society, whose founder Charles Loring Brace hoped "to get these children of unhappy fortune utterly out of their surroundings and to send them away to kind Christian homes in the country."

The orphan trains stopped at churches, town halls, and opera houses in small towns across the Midwest, where the children were lined up for inspection by local families. Many of the parents were farmers looking for laborers; some were childless couples thrilled to find someone to love; others were religious people hoping to do God's work by saving a child. While some of the orphan train riders remember their foster and adoptive families fondly, many experienced mental and physical abuse. The Bullis twins say, "Our adoptive parents gave us a good life. The only thing they didn't give us was love."

"Orphan Train" tells the history of this movement through photographs, mementos, and testimonials of the last survivng orphan train riders. The film is framed by the events of the 1991 Orphan Train Reunion in Springdale, Arkansas. We learn some surprising things about the way these children were treated, and also see the true strength of the human spirit.

Filmmaker’s Viewpoint

"Orphan Train" was my college thesis film. Robb Moss was my advisor, and I learned a lot from him—although much of it didn't sink in until years later. At the time, I was bowled over simply by the story of all these orphan children sent on a trains to find homes in places like Iowa, Missouri, and Texas. Many orphan train riders discovered only in old age that they weren't alone; others learned that they were actually Jewish although raised Christian. This idea of people being transplanted into a totally different cultural environment intrigued me, and has inspired much of my work since making the film.

I will always appreciate the warmth and generosity of the orphan train riders who shared their stories with me, especially since not all of them had happy stories. Mary Ellen Johnson of the Orphan Train Heritage Society works tirelessly to keep this history alive. A few years after I made this film, a PBS producer made a feature documentary about the subject.

Eunice Reese

Funders

Harvard University Department of Visual and Environmental Studies
The National Railway Historical Society

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